簡慶福
黃貴櫂
Sandy Lee 李華源
Edward Stokes
龍君兒

簡慶福 --- 無論是編寫中國的攝影史，還是研究香港的攝影流派， "簡慶福"的名字都必須提及的。 他是中國當代傑出的攝影藝術家之一， 他的作品和攝影觀念不僅在香港，而且在全國?生過很大影響。

Kan Hing-Fook --- No matter whether we are going to edit the history of China's photography or to study the photographic schools in Hong Kong, people will always mention about the name of Kan Hing-Fook.
He is one of the outstanding artists in China in the field of photography. His works and his concept about photography have a great influence in the whole China.

  • 1921年，簡慶福出生于香港商人家庭，原藉廣東中山。年幼移居上海，入學就讀。
  • 20世紀40年代，簡慶福入上海美術專科學校學習繪畫，先後從師于劉海栗、張充仁大師。在張充仁畫室結識熱心攝影的同學劉旭滄，受劉的影響開始攝影創作。1948年回香港、澳門，參加當地攝影活動，並成為香港攝影學會高級會員，年僅30歲時獲得美國攝影家協會基石級會員榮銜。
  • 1951年，簡慶福的作品《向前進》在新加坡國際沙龍獲銅牌獎，這是他在國際攝影比賽上初次獲獎；那是幅1942年他初出茅廬在南京湯山拍攝的習作，從此一生與攝影結下了不解之緣。
  • 1951年，黑白作品《沈思》入選英國倫敦國際沙龍並刊于該年的年刊中；同年3月，簡慶福在上海參加了友聲旅行團的安徽黃山之旅，當時拍攝的作品《黃山雲》，得到中國畫大師張大千贊賞，並為簡在照片上親筆題詩，該作品已為黃山博物館珍藏。
  • 1952年，黑白作品《奔在自由之路》又獲香港攝影學會第七屆國際沙龍影展銅獎。
  • 1953年拍攝的《水波的旋律》獲香港攝影學會第八屆國際沙龍影展金獎。這是"0"的突破，華人首次在該影展獲得金獎，轟動香港攝影界。
  • 1952年，他的《黃山雲》在香港攝影學會的年終大會上被會員投票選為全年最佳作品，獲由英文《南華早報》捐贈的香港全年最佳作品杯。此後，1953年的《奔在自由之路》、1954年的《水波的旋律》、1955年的《蕃茄》等，又連續獲此殊榮。該獎杯在簡家裏存放了四年，他是香港獲此殊榮"四連冠"的第一人。現在，該獎杯存放于香港攝影學會。從此他名聲鵲起，有口皆碑。之後不再參加攝影比賽，經常被聘請擔任國際、國內許多重大影賽的評判。
  • 1958年作為香港特邀代表赴北京，出席中國攝影學會﹙後改名為︰中國攝影家協會﹚的攝影座談會，後長期出任該會的國家、國際影展的評委。 簡多次舉辦過影展和出版攝影作品，重要的有：
  • 1955年在澳門沙龍攝影學院舉辦個人影展，同年此影展應美國路易士安那州國立藝術館邀請，在美國展出；
  • 1956年南非《Die Transvaler》報專版介紹簡的攝影創作；
  • 1956-57年，中國《人民畫報》等刊物以大篇幅發表《海戀》等作品，這是新中國媒體最早介紹的一批香港攝影作品；
  • 1959年，簡和劉懷廣、張汝釗等聯合舉辦香港首次彩色攝影展覽；
  • 1979-1981年在廣州、上海和北京等地巡迴舉辦個人影展；
  • 1980、1987、1998年三次出版《簡慶福攝影集》；
  • 1993年簡和陳複禮、何藩、張五常聯合舉辦《往日時光》影展；
  • 2000年和連登良、黃貴權聯合舉辦《三人行》、《夕陽頌》、《樂晚晴》等影展，這些展覽在北京開幕後又到中國十餘個省巡迴展出
  • 2000年發起、贊助出版《影藝春秋﹙香港攝影1900-2000﹚》大型史冊；
  • 從20世紀30年代起，簡慶福的攝影創作從未間斷，走遍祖國大江南北、全球五洲四海，早期拍攝社會紀實攝影，後熱衷于藝術風光創作，佳作數不勝數。代表作有：《農家樂》﹙1948年﹚、《奔在自由之路》﹙1950年﹚、《海戀》﹙1953年﹚、《水波的旋律》﹙1954年﹚、《一湖春水曉帆風》﹙1982年﹚、《野火燒不盡》和《驚起》﹙1998年﹚等。其中《水波的旋律》被中國文化部民族文化促進會選為20世紀中國經典攝影作品。

  • 簡慶福先生是中國攝影界德高望重的前輩。他為攝影創作百折不撓，苦心孤詣，行�f荒山野林、出沒邊陲村寨，奔走不毛戈壁，深入世俗市井，為攝取人間美景真情，跌傷過腰，顛翻了車，……但毫無怨言，樂此不疲。簡認為：行千里萬里追尋一個好畫面，比自己作品得獎更有滿足感。在創作思想上，簡有膽有識，提倡創新。他氣度儼然，胸襟開闊，其樂觀直率的個性和真摰的感情，常常滲透于作品之中。

    Mr. Kan Hing-Fook was born in a family of a Hong Kong merchant in 1921. He studied in Shanghai when he was young.
  • In the 1940s, Kan Hing-Fook went to study painting in Shanghai School of Fine Arts under the famous masters Liu Haisu and Zhang Chongren, the world famous sculpture artist. He met Liu Xucang, his classmate and practiced photography with him in Zhang Chongren's studio. Influenced by Liu, he started to learn more about paintings. In 1948, he came back to Hong Kong and Macau to take part in the local photographic activities, thus becoming a senior member of the Hong Kong Photographic Association. And he obtained the honor of being a cornerstone member of Photographic Society Of America when he was 30 years old.
  • In 1951, he got his first award in the International Photographic Salon in Singapore. That was his early work, March Forward, which he took in 1946 in Macau. Since then he has kept on taking photos.
  • In 1952, his black-and-white photo Gateway to Freedom got the Bronze Medal Award of the VII International Salon Photographic Exhibition of Hong Kong Photographic Society.
  • In 1953, his Water Palette got the Gold Medal Award of the VIII International Salon Photographic Exhibition of Hong Kong Photographic Society. It was a breakthrough for a Chinese to get a gold medal award on such a photographic exhibition in Hong Kong. It was really a great news in Hong Kong photographic circle.
  • From 1952 on, his Hermitage, Gateway to Freedom, Water Palette and Tomatoes had been appraised and chosen as "The Best Print of the Year" for four consecutive years by all the members of Hong Kong Photographic Society. So, he became so famous that he wouldn't take part in the competitions from then on. He became an international appraisal specialist to take part in those important international photographic competitions.
  • In 1958, as a specially invited representative from Hong Kong, he came to Beijing to take part in the society's forum of Chinese Photographers Association. Later, he became an appraisal member to take part in the national as well as international photographic exhibitions for a long time. He has held photographic exhibitions for many times and published many photographic works, including those important ones, such as:
  • In 1955, he held his personal photographic exhibition in Macau Salon Photographic Institute. Later, in the same year, this exhibition was invited and moved to Louisiana National Artistic Museum in America to be exhibited in the USA.
  • In 1956, his photos were published on the South Africa newspaper Die Transvaler on a special page to introduce Kan's photographic works.
  • From 1956 to 1957, his photos, such as Love of Ocean, were published one after the other on China Pictorial. These were the first earliest photographic works from Hong Kong being introduced to New China at that time by Chinese media.
  • In 1959, Kan Hing-Fook together with Liu Huaiguang and Zhang Ruzao held the first color photographic exhibition in Hong Kong.
  • From 1979 to 1981, he held his personal photographic exhibitions in Canton, Shanghai and Beijing one after the other.
  • In 1980, 1987 and 1998, he published his Kan Hing-Fook's Photographic Works for three times.
  • In 1993, Kan Hing Fook together with Chan Fou-li, He Fan and Zhang Wuchang jointly held the photographic exhibition Times in the Past.
  • From 2000 to 2005, Kan Hing Fook together with Lian Dengliang, Huang Guiquan jointly held the exhibitions The Three on the March, Ode of Sunset, Merry Old Ages in Beijing, and then these exhibitions were moved to be exhibited in more than ten cities and provinces throughout China.
  • In 2000, Kan advocated and helped to publish the grand-scale historical pictorial Spring and Autumn of Photographic Arts (Hong Kong Photography 1900-2000), including many of Kan Hing-Fook's representative works.
  • From 1938, Kan Hing-Fook never stopped to carry out photographic works. He went throughout China and the world, taking those social documentary photos in his early days, and then he devoted all his time in creating artistic scenery and produced many fine works. Among them, the photo Water Palette was chosen by the National Cultural Promoting Commission of the Ministry of Culture to be the classical photographic work in China in the 20th century.

黃貴權醫生

醉心於大自然
從恒變光色中找尋靈感
透過創作思維、運用現代攝影過語言
表達個人的感悟
演譯出充滿節奏、旋律、如夢、如幻的境界
把大自然瞬間靈動
化為永恆影詩

黃貴權醫生簡歷

  • 出生於香港
  • 畢業於香港大學醫學院，服務於香港政府公立醫院，為內科專科醫生。從 1971 年 自行執業至今，為英國多間內科醫學院及香港醫學院院士。
  • 隨攝影大師鄧雪峰先生學習攝影。
  • 1970 開始參加香港名大攝影學會之會務活動，期間曾任香港卅五攝影學會董事局主席，沙龍影友協會會長，歷任各大攝影學會顧問、名銜考試評判、國際沙龍評判等。七十年代期間參加國際沙龍之黑白及彩色照片畫意組，九次名列世界十傑，其中四次名列第一、三次第二、第三及第四名一次。
  • 1980 八十年代與已故國畫大師朱屺膽從游，對朱老作畫，光色之妙用和以“獨”“力”“簡”為表?重點，最為傾倒及受其影響。
  • 1996 為保存香港藝術攝影之成果而籌辦『《龍影》— 1952-1996 』展覽及刊印圖錄，展出作品為香港藝術博物館珍藏。
  • 1998 為保存及紀錄香港百年藝術攝影，籌辦『藝影春秋—香港藝術攝影 1900-2000 』展覽及印制圖錄，於 2001 年展出，作品及有關歷史資料捐贈于香港文化博物館永久收藏。
  • 2000 3 月應中國攝影家協會邀請連同簡慶福先生、連登良先生，在北京舉辦『三人行』攝影作品聯展，在北京展出後，並於全國各大城市作巡迴展出。
  • 2001 連同簡慶福先生、連登良先生、張寶璣先生應加拿大溫哥華中藝攝影學會邀請，在溫哥華舉辦『四騎士』攝影聯展，其後並再于愛明頓、卡加利及多倫多等城市展出。
  • 2002 7 月應上海市攝影家協會邀請，再次連同簡慶福先生、連登良先生在上海舉辦『夕陽頌』三人攝影作品聯展，其後並在廣州等城市展出。
  • 2002 11 月，獲香港特別行政區政府康樂文化事務署贊助埸地，在『中央圖書館』展覽館全廳，舉辦個人攝影展覽。並同時出版《詩影澄懷》個人影集。
  •   8 月出席美國攝影學會﹙ PSA ﹚在『侯士頓』舉行的會員大會，作專題講座。
  • 2003 12 月應中國北京中央電視台『瞬間世界』專題播出，談論“如何提昇攝影作品之藝術性”。
  •   5 月因歷年來對香港藝術文化推動，榮獲香港特別行政區政府頒發《嘉許狀》。同年 10 月應中國攝影家協會邀請，又再次連同簡慶福先生、連登良先生在貴州都勻市舉 辦『樂晚晴』三人攝影作品聯展。
  •   4 月刊印影集《象幻情真》。隨後在澳門、香港、北京及其他城市舉辦『象幻情真』 個人攝影巡迴展覽。
  • 榮銜： 歷年榮獲世界各國著名攝影團體頒贈榮銜，其中較為卓著者：香港沙龍影友協會榮譽高級會士﹙ Hon. FPSEA ﹚香港攝影學會榮譽高級會士﹙ Hon. FPSHK ﹚、美國攝影學會高級會士﹙ FPSA ﹚、國際影藝聯盟攝影大師﹙ MFIAP ﹚、英國皇家攝影學會高級會士﹙ FRPS ﹚及榮譽高級會士﹙ Hon. FRPS ﹚等等。
  • 現任： 沙龍影友協會名譽會長、香港攝影學會會長。


Chronology of Leo K.K. Wong

  • 1932 Born in Hong Kong
  • 1959  Qualified as Medical Doctor from the Faculty of Medicine, University of Hong Kong (MBBS, Hong Kong)
  • 1960 Served as Physician in Hong Kong government hospitals
  • 1966   Studied photography with S.F Dan
  • 1971 In private medical practice until now. Qualified as FRCP (London, Edinburgh & Glasgow), FCPHK & FHKAM
    Since the 1970s, has served in various capacities in major Hong Kong photographicSocieties, including international salon judge, proficiency examination judge andhonorary adviser ； and as chairman of thee Board of Director of Hong Kong 35 mm . Photographic Society, and President of the Photographic Salon Exhibitors' Association. Participated in International Salon Exhibitions in the monochrome and color prints divisions-ranked among the world's top ten photographers in nine years, and first in 4 years, second in 3 years.
  • 1985  Became friends with Chinese painter Zhu Qizhan, and was deeply attracted to and influenced by the Master's consummate use of color and light and the way in which his expressiveness was achieved through simple concept, powerful brush work and unique vision.
  • 1986  Awarded the Master of Photography title by the Federation Internationale de I'Art Photographique (MFIAP). Other photographic honours awarded: Hon FPSEA (1976), FRPS (1978), Hon . FPSHK (1982) and FPSA (1984)
  • 1996•  Served as Chairman of the Organising Committee of the Exhibition “Photo Gem 1952-1996”, accompanied by a fully illustrated catalogue, to mark the achievements of members of the Photographic Salon Exhibitors' Association over nearly half a century, the exhibits subsequently were donated to the Hong Kong Art Museum .
  • 1998  Served as Chairman of the Organising Committee of the Exhibition ‘Vision Beyond: Hong Kong Art Photography 1900-2000”, which opened for a six-month showing on 7 December 2001 , The exhibition was accompanied by a full-illustrated catalogue which puts on record the history of Hong Kong Art Photography of the 20 th century All the exhibits and related items were donated to the Hong Kong Heritage Museum.
  • 2000  In March, participated in group show with Kan Hing-fook and Lin Dung-leung entitled “Trio” which was organized by the Chinese Photographers' Association and exhibited in Beijing , Chongqing , Nanjing , Shanhai and Guangzhou .
  • 2001  Participated in group show with Kan Hing-fook, Lin Dung-leung and P.G. Chang entitled “Four Riders” which was organised by Chung Ai Photographic Club of Vancouver and exhibited in Vancouver, Edmonton, Calgary and Toronto.
  • 2002  In July, participated in group show with Kan Hing-fook and Lin Dung-leung entitled “The Golden Years” which was organised by the Shanghai Photographers' Association & exhibited in Shanghai and later circulated in other major cities in China . In November, solo exhibition at the Central Library of Hong Kong – venue sponsored by the Leisure and Cultural Services Department of HKSAR. A Photo-Album entitled “Poetic Images” was published.
  • 2003  In August, participated as Program Presenter and delivered two slide shows on “Poetic Images” at the Annual Convention of the PSA at Houston. In September, awarded and enrolled as Hon FRPS for his contribution on the Promotion of Art Photography, Appeared in person at the award presentation in London. In December, interviewed by CCTV 4 in Beijing on “Elements Influencing the Artistic Value in Photography”.
  • 2004  In May, commended by the Secretary of Home Affairs of the Hong Kong SAP for Making outstanding achievements in the promotion of Art and Culture. In October, participated in group show with Kan Hing-fook and Lin Dung-leung Entitled “The Evening Glow” which was organized by the Chinese Photographers' Association of Beijing and exhibited in the city of Du-Wan (Kwaizhou) and later Circulated in other major cites of China.
  • 2005  Solo exhibition and publication of a Photo-Album entitled “Photo Impressionism” and to be exhibited in Macau , Hong Kong , Beijing and other major cities in China . Currently serving as Honorary President of the Photographic Salon Exhibitors' Association and President of the Photographic Society of Hong Kong .

人生中歷程　獻身於攝影 ◎ 李華源　專業攝影紀誌

源自７０年代中，我初次踏足專業攝影行列，投身於當時得令之多位名師門下。由攝影助手開始，以至成為雜誌攝影主管，從實務中汲取寶貴經驗，開展了專業攝影為終身事業之歷程。

其後於１９７９年開設李華源專業攝影室，專為香港及東南亞各大國際性廣告公司與世界知名客戶提供服務。在歷年的攝影生涯中，屢獲多項國際及香港嘉許之獎譽，如CLIO金獎，4A'S金獎，NEW YORK A.C.與ASIA MEDIA & MARKETING最佳獎項等，與有榮焉。

基於個人喜好， 我專長於靜物攝影。我認為在這方面的發揮空間非常廣闊，其精粹在於善用燈光及鏡頭運用，不但可將原創者的意念清晰演繹，更能創造出許多獨特之視覺效果及唯美構圖。

與此同時，科技日新月異，我除了不斷從各方面汲取最新之專業攝影技巧外，更特別添置不少先進器材，緊貼數碼時代，邁向未來，使專業攝影化成不單既是商品，也是藝術，臻善至優。

A life devoted to Photography ◎ Sandy Lee Biography of a Professional Photographer

I started my professional photographer's career in the mid-70's under the tutorship of several renowned masters. Beginning as an assistant and working my way up to be Photographer-In-Charge of a famous magazine, I had accumulated invaluable experience, which was pivotal in my career development as a professional photographer.

Since opening my own Sandy Lee Studio in 1979, I have provided quality service to many international advertising agencies and clients in Hong Kong and South-east Asia. Through the years, I have won many international and Hong Kong awards, such as CLIO Gold, 4A's Gold, Best Award from NEW YORK A.C. and Asia Media & Marketing, to name a few.

As my personal taste inclines, my focus is on still photography, which offers me tremendous room for creativity. Masterful utilization of lighting and lenses not only brings to life a creative's original ideas, it also creates unique visual effects and artistic beauty.

With the advent of new technology, particularly in digital photography, I constantly strive to upgrade my equipment and at the same time sharpening my professional skills for the new millennium. This is my ideal: "Professional photography is not just to sell products, it is also an art per se".

Edward Stokes 在香港長大，他對香港自然美景有著一份鍾愛。 《綠野遊縱–港島線》是Edward Stokes第二本描繪香港野外風光的著作。

Edward Stokes 既是攝影師，也是作家，前作有 Hong Kong's Wild Places 。Stokes 現於香港從事環保工作，並協助成立 Hong Kong Conservation Photography Foundation (香港環保攝影基金)，推行各項環保活動。Edward Stokes 生於澳洲，肆業於英國牛津 Magdalen College，曾撰寫五本有關澳洲歷史和地理的書籍， 其中包括尋幽探秘三部曲。他是皇家地理學會資深會員及香港大學亞洲研究中心研究員，屢獲研究資助和多個獎項。

Edward Stokes grew up in Hong Kong, and came to love its natural setting. He returned to live here in 1993. " Across The Island Its Natural Beauty " This is his second book on the Hong Kong countryside.

A photographer and writer, Edward Stokes is the author of Hong Kong's Wild Places, an account of the territory's natural landscape. He is now involved in conservation projects here, with the Hong Kong Conservation Photography Foundation - which he helped to establish.

He was born in Australia, and studied at Magdalen College, Oxford. He is the author of five books on Australian history, including his inland exploration trilogy. A Fellow of the Royal Geographical Society, and a Research Associate at the University of Hong Kong's Centre of Asian Studies, Edward Stokes has won various grants and awards.

龍君兒 --- 為香港今日女像專業攝影表表者和攝影專欄作家，亦是著名畫師，曾被香港大學、理工大學、科技大學及浸會大學等邀請擔任專題講座，曾多次接受「亞洲電視」之「方太生活廣場」專訪介紹作品。 　　

在攝影界各大影會、亦多次出席為評判及演講。亦是攝影雜誌之個人專欄技術主筆，發表文稿除雜誌外，過往年間《文匯報》，《新報》等也有公開發表專欄見報。
由一九八八年開始 ，分別舉辦個人公開作品展十 多 次 ，曾出版不同風格和創新意念之 個人攝影集 ，亦曾榮獲『柯達』菲林、『柯尼卡』菲林、西德『徠卡』相機、日本『佳能』相機、日本『騰龍』名鏡、與及香港著名專業沖印公司『 ColorSix 』、『快圖美』等為個人作品展贊助商。更創舉推出《女像攝影 VCD和DVD 技術實況》教授，成為香港女像攝影技術公開出版 VCD和DVD之第一人。 在一九九八年正式開辦《女像攝影》班課程， 學生遍及中、港、臺、更有來自東南亞，甚至歐、美、加者。不少門生已成為專業攝影師，在攝影界成就輝煌。 於2000年創立「龍君兒攝影同學會」，協助攝影班新舊同學攝影藝術交流。 一九九九年接獲《北京人民美術出版社》證實通知，成為《中國攝影家徵集》之香港入集攝影家。

二○○○年正式加入香港工聯會成為女像攝影班主教導師。

二○○二年，個人攝影作品正式被香港特別行政區政府徵收為（香港近代攝影家一佰名之入選），並珍藏於政府博物館。同年、在灣仔會展中心為香港攝影器材展主講女像拍攝主流和技術。